Naira Marleym Mohbad

In the bustling heart of Nigeria, where the rhythm of afrobeats collides with the formidable beats of political drums, a curious tryst has taken root. Lagos State’s Governor, Sanwo-Olu, finds himself in a swirling vortex of association with two polarising figures: Naira Marley and Sam Larry. While art, music, and politics have historically shared common ground globally, the intensity and peculiarity of this relationship have elicited a mix of surprise, intrigue, and concern. As the lens of scrutiny focuses on the corridors of power in Lagos, unraveling the fabric of these connections becomes imperative, not just for the image of …